The Process

Person wearing a glove holding a white feather in an outdoor setting with a grassy and rocky landscape under a blue sky.
Close-up of a circular embroidery hoop filled with black, white, beige, and gold beads, pearls, and small decorative elements, with sculptural artist Susie Smith holding the hoop.
Collection of white and gold feathers arranged on a brown paper surface.
A decorative piece resembling a pineapple made from gold and metallic feathers and beads.
A collection of various jewelry beads and embellishments, including a glass bowl filled with small metallic beads, a spool of sewing thread, and assorted loose beads on a wooden surface.
Close-up view of a decorative chandelier with numerous gold-colored feathers surrounding a central dark, bead-covered sphere.

It starts with an idea, followed by the selection of reclaimed beads and feathers

Beadwork

Each artwork incorporates carefully sourced vintage beads and rare decorative elements, selected for their unique character, history, and beauty.

Feathers

Feathers are collected mainly from the foreshores around Chichester Harbour and in the South Downs countryside in the South of England.

They are then washed several times, dried, brushed and trimmed. For certain pieces I then hand paint them to create a complementary look. No feather gets discarded, as I use the very best for natural, unpainted pieces and those that aren’t of this standard are used for painted options to save any waste.

This considered approach reflects my commitment to exceptional craftsmanship, sustainability and creating truly unique works of art.